The everyday lives of Beijing residents in the early 20th century are seen through the collection of old photos at a shop in the city, Chen Meiling reports.

"When we talk about history, we tend to only remember events about our leaders. But the history of ordinary people is also important and interesting."

Lars Ulrik Thom, 43, a Danish historian who has lived in Beijing for over two decades, has collected hundreds of old photos depicting the details of the daily lives of the city's residents from 1890 to 1949, revealing a microcosmic history that most textbooks don't reveal.

Other than some of the photos that have been published with this story, there are individual photos: an old man smoking a pipe; a boy grinning without a tooth; a Peking Opera actress striking a pose (published alongside); a man holding an early phone to his ear, and so on. Thom says most of the photos were taken by foreigners - missionaries, businessmen and journalists - who were visiting China at the time and took snaps to show to their fellow countrymen back home.

"They appeared to have more interest in the scenes that would be unfamiliar in their own countries, such as pigs running down the streets and people pushing single-wheeled handcarts."

Other images were taken by Chinese people in photo studios during the 1920s and 1930s when it was uncommon for people in the country to own a camera.

Thom says there is a huge difference between the photos taken by the visitors and the locals. While the former were looking to record Beijing, the latter tended to use photos to commemorate certain occasions or represent family life.

"The only thing in common is that no one, neither foreigner nor Beijinger, took photos of the hutong (alleyways). Why? Because at that time hutong were nothing special. Visitors to Beijing were even disappointed by them - the muddy roads, gray walls and shabby houses all looked the same to them.

"Now we like to paint hutong culture in a romantic light, but things were different 100 years ago." Thom and his partner Simon Gjeroe began collecting photographs in 2005. They opened their store, Beijing Postcards, on Yangmeizhu Xiejie in the Dashilar area of Beijing's Xicheng district, selling postcards, pillows, calendars and jigsaws printed with black-and-white photos from their collections.

Since Thom often works inside his shop, he has put up a QR Code to allow customers to pay for items themselves, underlining that he is in no rush to sell.

Nong Yuxuan, 26, a lawyer who visited the store, says the photos will help people to see Beijing from different perspectives.

"The way foreigners used to see China is how modern Chinese people saw themselves in the past - we're all looking for novelty, to some extent," he says.

He points to a photo of a woman lying on a sofa with both her feet bound in triangles: "The definition of beauty can be very diverse. People used to think foot binding was beautiful."

The ancient Chinese custom in which a girl's four toes were tucked beneath the foot to prevent growth, was gradually abandoned as it became increasingly recognized as a symbol of feudalism. Beijing Postcards regularly organizes lectures and exhibitions for people interested in the history of the city. Their latest topic of research is the liberation of Chinese women.

Beneath the photo of the woman with bound feet, there is a caricature from an old French magazine that depicts a Chinese woman with a cigarette in her mouth and her hands in her pockets.

"The role of Chinese women evolved dramatically during the 1920s and 1930s. After the last emperor of the Qing Dynasty (1644-1911) abdicated, Manchu families lost their government subsidies, and women started to take jobs outside the home like men. Some of them even took up jobs as rickshaw drivers. But every job gave them wider access to public spaces," he adds.

Thom says just because we live in a city, it doesn't mean that it's easy to develop a relationship with it. He thinks these photos will help us understand how Beijing became the city it is today. And for some other visitors, the old photos of Beijing trigger more sentimental feelings.

Zhang Jia, a 33 year-old bank worker in Beijing, says she visited the store twice one day.

"We don't remember having black-and-white photos. But these are not too old to remind me of my childhood when I used to come home to my hutong and my neighbors would wave and smile at me."

Many of the old houses and hutong have been torn down and her neighbors have moved on. Although some buildings have been preserved, many of them lost their original appearance after being renovated.

Wu, a 22-year-old college student from Taiwan who has visited the store with two of her friends, says: "I heard Beijing has been developing really fast in recent years, but there are still many things to explore in its long history."

Thom says: "Studying history influences the way you see the world and yourself. History always gives a basis for comparison.

"The way you interpret it keeps expanding. If for some reason, we only viewed history from one specific angle, it would be a great pity."

, Chen Meiling reports.

"When we talk about history, we tend to only remember events about our leaders. But the history of ordinary people is also important and interesting."

Lars Ulrik Thom, 43, a Danish historian who has lived in Beijing for over two decades, has collected hundreds of old photos depicting the details of the daily lives of the city's residents from 1890 to 1949, revealing a microcosmic history that most textbooks don't reveal.

Other than some of the photos that have been published with this story, there are individual photos: an old man smoking a pipe; a boy grinning without a tooth; a Peking Opera actress striking a pose (published alongside); a man holding an early phone to his ear, and so on. Thom says most of the photos were taken by foreigners - missionaries, businessmen and journalists - who were visiting China at the time and took snaps to show to their fellow countrymen back home.

"They appeared to have more interest in the scenes that would be unfamiliar in their own countries, such as pigs running down the streets and people pushing single-wheeled handcarts."

Other images were taken by Chinese people in photo studios during the 1920s and 1930s when it was uncommon for people in the country to own a camera.

Thom says there is a huge difference between the photos taken by the visitors and the locals. While the former were looking to record Beijing, the latter tended to use photos to commemorate certain occasions or represent family life.

"The only thing in common is that no one, neither foreigner nor Beijinger, took photos of the hutong (alleyways). Why? Because at that time hutong were nothing special. Visitors to Beijing were even disappointed by them - the muddy roads, gray walls and shabby houses all looked the same to them.

"Now we like to paint hutong culture in a romantic light, but things were different 100 years ago." Thom and his partner Simon Gjeroe began collecting photographs in 2005. They opened their store, Beijing Postcards, on Yangmeizhu Xiejie in the Dashilar area of Beijing's Xicheng district, selling postcards, pillows, calendars and jigsaws printed with black-and-white photos from their collections.

Since Thom often works inside his shop, he has put up a QR Code to allow customers to pay for items themselves, underlining that he is in no rush to sell.

Nong Yuxuan, 26, a lawyer who visited the store, says the photos will help people to see Beijing from different perspectives.

"The way foreigners used to see China is how modern Chinese people saw themselves in the past - we're all looking for novelty, to some extent," he says.

He points to a photo of a woman lying on a sofa with both her feet bound in triangles: "The definition of beauty can be very diverse. People used to think foot binding was beautiful."

The ancient Chinese custom in which a girl's four toes were tucked beneath the foot to prevent growth, was gradually abandoned as it became increasingly recognized as a symbol of feudalism. Beijing Postcards regularly organizes lectures and exhibitions for people interested in the history of the city. Their latest topic of research is the liberation of Chinese women.

Beneath the photo of the woman with bound feet, there is a caricature from an old French magazine that depicts a Chinese woman with a cigarette in her mouth and her hands in her pockets.

"The role of Chinese women evolved dramatically during the 1920s and 1930s. After the last emperor of the Qing Dynasty (1644-1911) abdicated, Manchu families lost their government subsidies, and women started to take jobs outside the home like men. Some of them even took up jobs as rickshaw drivers. But every job gave them wider access to public spaces," he adds.

Thom says just because we live in a city, it doesn't mean that it's easy to develop a relationship with it. He thinks these photos will help us understand how Beijing became the city it is today. And for some other visitors, the old photos of Beijing trigger more sentimental feelings.

Zhang Jia, a 33 year-old bank worker in Beijing, says she visited the store twice one day.

"We don't remember having black-and-white photos. But these are not too old to remind me of my childhood when I used to come home to my hutong and my neighbors would wave and smile at me."

Many of the old houses and hutong have been torn down and her neighbors have moved on. Although some buildings have been preserved, many of them lost their original appearance after being renovated.

Wu, a 22-year-old college student from Taiwan who has visited the store with two of her friends, says: "I heard Beijing has been developing really fast in recent years, but there are still many things to explore in its long history."

Thom says: "Studying history influences the way you see the world and yourself. History always gives a basis for comparison.

"The way you interpret it keeps expanding. If for some reason, we only viewed history from one specific angle, it would be a great pity."